Download PDF by Alan Lomax, John A. Lomax: American Ballads and Folk Songs (Dover Books on Music)

February 27, 2018 | Music | By admin | 0 Comments

By Alan Lomax, John A. Lomax

ISBN-10: 0486282767

ISBN-13: 9780486282763

Tune and lyrics for over 2 hundred songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad guy Ballad, Jesse JamesDown within the Valley, The undergo within the HillShortenin' Bread, The Ballad of Davy Crockett, and lots of extra.

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Extra resources for American Ballads and Folk Songs (Dover Books on Music)

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31 32 MUSIC, LIBRARIES, AND THE ACADEMY: ESSAYS IN HONOR OF LENORE CORAL forbearance. I believe Mozart’s and Da Ponte’s characterizations of the noble couple, and Mozart’s handling of the absolution, support an alternative reading. Rather than be purified by mercy, the relations between the characters remain ambiguous, and the feelings of the heroine, ambivalent. APOTHEOSIS The scene of forgiveness inspires music of undeniable and in many ways unexpected beauty. It follows the opera’s last great imbroglio, in which the Count trumpets his discovery of Figaro with “the Countess” (Susanna in disguise), they beg his mercy, he refuses, the real Countess appears, and everyone stands astonished.

They will end with The Creation, The Seasons, and the very late masses. The last third will be devoted to early Beethoven, and many other matters. By early, I mean the Bonn years, then tutelage under Haydn in Vienna, and in general the phase when Beethoven’s music was closely tied to what Haydn and Mozart had wrought. Connections with the works of other composers must also come into play, especially those of the leading composers in France in the decade following the Revolution of 1789. One does not have to go very far in studying the operas and overtures of Luigi Cherubini (1760–1842) to fathom why Beethoven held his music in such high esteem.

62 Mozart’s significant contributions to the string quintet repertory provide corroboration for the praise accorded this genre. ”63 Similarly, the author of an 1810 AMZ article, which extols the virtues of what we now describe as “Viennese Classical” quartets (and berates quartets in the popular style), views quintets favorably and even places them together with quartets. With good reason one selects for a good quartet the four well-known string instruments, which, owing to their uniformity of timbre, are most capable of the most perfect unity.

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American Ballads and Folk Songs (Dover Books on Music) by Alan Lomax, John A. Lomax

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