By David Gilbert
[b]Who is A. N. Dyer? & Sons is a literary masterwork for readers of The artwork of Fielding, The Emperor’s little ones, and Wonder Boys—the panoramic, deeply affecting tale of an iconic novelist, interconnected households, and the heartbreaking truths that fiction can hide.
The funeral of Charles Henry Topping on Manhattan’s higher East aspect could were a minor affair (his two-hundred-word obit in The manhattan occasions notwithstanding) yet for the presence of 1 specific mourner: the notoriously reclusive writer A. N. Dyer, whose novel Ampersand stands as a vintage of yankee teenage angst. yet as Andrew Newbold Dyer can provide the eulogy for his oldest friend, he suffers a breakdown over the existence he’s led and the folks he’s harm and the unconventional that might ceaselessly suffer as his legacy. He needs to assemble his 3 sons for the 1st time in lots of years—before it’s too late.
So starts off a wild, transformative, heartbreaking week, as witnessed by way of Philip Topping, who, like his overdue father, unearths himself stuck up within the swirl of the Dyer kinfolk. First there’s son Richard, a suffering screenwriter and father, getting back from self-imposed exile in California. within the center lingers Jamie, settled in Brooklyn after his twenty-year undertaking of constructing documentaries approximately human pain. And final is Andy, the part brother whose mysterious delivery tore the Dyers aside seventeen years in the past, now in long island on spring holiday, decided to lose his virginity sooner than returning to the celebrated New England boarding tuition that encouraged Ampersand. yet basically whilst the true function of this reunion involves gentle do those sons become aware of simply how a lot is at stake, not just for his or her father yet for themselves and 3 generations in their family.
during this bold feat of fiction, David Gilbert establishes himself as one in all our most unusual, enjoyable, and insightful authors. & Sons is that rarest of treasures: a startlingly inventive novel approximately households and the way they outline us, and the alternatives we make whilst confronted with our personal mortality.
Praise for & Sons
“Six months from now, Gilbert’s might be one of the half-dozen or so names brought up by means of critics and critical readers whilst they’re requested who produced 2013’s such a lot dazzlingly clever, absolutely learned works of fiction.”—The Washington Post
“If you learn just a couple of books this yr, this one might be one in all them.”—The Huffington Post
“When somebody makes use of the time period ‘instant classic,’ I generally are looking to seize him and ask, ‘So this is often, what, just like the new Great Expectations? You definite approximately that?’ yet David Gilbert’s novel & Sons, seductive and ripe with either comedy and heartbreak, made me reassess my stance on one of these label. . . . this can be the booklet I’d such a lot wish to lug from one seashore to a different for the remainder of summer time, if purely I hadn’t torn via it in more than pleased days this spring. . . . Gilbert’s portrait of [New York urban] and its literary set is as clever and savage in its approach as Tom Wolfe’s The Bonfire of the Vanities, part love letter, part indictment, and totally irresistible.”—NPR
“If the classy brilliance of contemporary novels through Rachel Kushner, Jess Walter, and Peter Heller has been hinting at a brand new golden age of yank prose, then David Gilbert’s bold, sprawling, and altogether masterful moment novel, & Sons, confirms it. . . . via turns difficult and multilayered, bizarre and hilarious . . . & Sons is greater than definitely worth the effort.”—The day-by-day Beast
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Additional info for And Sons
But out here, in the cold ground next to his parents, she was certainly gone. Still, Henry had needed to come out to say good-bye. He kissed the quarter and placed it on top of Ethel’s headstone. This was our promise of happiness, Henry thought. It’s all I have left to give. This is so you can be happy without me. He stood back, hands at his sides, and took three deep bows out of respect. “I have to go now,” Henry said. Before he left, he drew a lily from Ethel’s bundle of ﬂowers and set it on his mother’s grave.
So he went where he’d always gone to stimulate his senses, even as a little boy—a place where he always found a little comfort. He grabbed his hat and jacket and found himself stalking the dusty aisles of Bud’s Jazz Records. Bud’s had been a ﬁxture on South Jackson, near the old Pioneer Square, for as long as Henry could remember. Of course the original Bud Long didn’t actually own the place anymore. But the new guy, a grizzled fellow with sagging hangdog cheeks like those of a partially deﬂated Dizzy Gillespie, ﬁlled the part amiably.
And now that CDs were starting to outsell records, the used LP bins at Bud’s were overﬂowing with new used records every day. If one still existed, someone was bound to throw it out, or trade it in, not knowing what that dusty old recording meant to avid collectors like Henry. After all, Oscar who? Bud turned the music down a bit. ” Something modern was playing, Overton Berry, Henry guessed, from the deep melancholy of the piano. Henry thought about his absence. He’d been a regular for most of his adult life, and part of his youth.
And Sons by David Gilbert