This quantity of essays, that's devoted to the overdue Richard Bales, one of many doyens of Proust reports, considers Proust’s pivotal function on the threshold of modernity, among 19th- and twentieth-century different types of writing and pondering, among the Belle Epoque and the 1st global conflict, among culture and innovation. greater than only a temporal notion, this threshold is theorized within the quantity as a liminal area the place borders (geographical, inventive, own) dissolve, the place larger probabilities for creative discussion emerge, and the place unforeseen encounters (between artists, genres and disciplines) take place.
Working either back and forth from the ebook dates of A l. a. recherche du temps perdu (1913-27), the seventeen essays written especially for this quantity take as their concentration Proust’s manifold engagements with the realm of modernity, in addition to intermedial family members one of the generations of artists earlier than and instantly after him. on reflection to the 19th century, the undisputed place to begin for nascent varieties of modernity in Western paintings and literature, and a interval that used to be uniquely formative for the younger Proust, additionally they provide insights into inter-artistic discussion in Surrealist and post-Surrealist portray and poetry.
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Additional info for Au seuil de la modernité: Proust, Literature and the Arts: Essays in Memory of Richard Bales (Romanticism and after in France / Le Romantisme et après en France)
Pour lui, comme pour les sculpteurs du XVIIe siècle, l’Église chrétienne était, au sens vivant du mot, peuplée d’une foule d’êtres, crus parfaitement réels: prophètes, apôtres, anges, saints personnages de toute sorte entourant le Verbe incarné, sa mère et son époux, le Père éternel, tous les martyrs et docteurs, tels que leur peuple en plein relief se presse au porche ou remplit le vaisseau des cathédrales. Entre tous M. de Charlus avait choisi comme patrons intercesseurs les archanges, Michel, Gabriel, et Raphaël.
Mais si nous sommes ainsi renvoyés à Balzac dans ‘Un amour de Swann’, ce n’est pas d’une manière directe, celle dont Proust évoquerait la domesticité f lorissante de Mme de Saint-Euverte, à partir de celle, indigente, de Mme de Cadignan. Nous sommes en fait invités à relire derrière ces lignes celles de ‘Dans un roman de Balzac’, ce pastiche déclaré évoqué plus haut, et qui a paru le 22 février 1908 dans le ‘Supplément littéraire’ du Figaro. Ce texte n’est antérieur que de deux ans à la rédaction d’‘Un amour de Swann’.
114. Samuel Borton, ‘A Tentative Essay on Dante and Proust’, Delaware Notes, 31 (1958), 33–42. 12. 134). 131). While attempting to remain heedful of Bales’s repeated warnings of the ‘hazardous’ business of tracing Dantean inf luence which he approaches with some ‘trepidation’, I nevertheless propose in homage to the enthusiasm and sensitivity with which Bales opens out the inevitable question, to venture onto yet more speculative ground by suggesting a probable origin of what appears to me to be the indubitable Dantean inf luence not only on, but perhaps even tethering, the Recherche.
Au seuil de la modernité: Proust, Literature and the Arts: Essays in Memory of Richard Bales (Romanticism and after in France / Le Romantisme et après en France)