By Alexandra Sokoloff
Booklet within the mystery Award–nominated Huntress/FBI series
Twenty-five years have handed for the reason that a savage killer terrorized California, massacring 3 usual households prior to disappearing with out a hint. the single surviving sufferer of his rampage was once a child…who is now sought after through the FBI for brutal crimes of her own.
Special Agent Matthew Roarke is on an interstate manhunt to trace her down, regardless of feeling torn among his commitment to responsibility and his sympathy for her terrible historical past and explanations. but if Roarke’s seek finds facts of recent family members slayings, the harmful girl he seeks—and secretly wants—may be his in basic terms desire of stopping one other massacre. He simply has to discover her first.
The pulse-pounding sequel to Huntress Moon is certain to depart readers at the edges in their seats.
Revised version: This version of Blood Moon contains editorial revisions.
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Additional info for Blood Moon (The Huntress/FBI Thrillers, Book 2)
M. m. yesterday. “She put up a terrific fight,” said Chief of Detectives Robert Colangelo. (p. 3) The story was just so awful. ” I wondered. Wolfpack! Prey! Savage! I had long ago stopped getting angry at these kinds of references to black people. I would just grow cold. How can someone stand on the inside of things and still be on the outside? From a racial point of view, some white people have found a way to make this A Jogger Is Raped in Central Park 37 happen, to make black people appear to live in two spaces at once.
7 It was finally beginning to sink in that maybe, just maybe, many whites could not allow themselves to see blacks as equal human beings. It occurred to me that this was an idea I had always resisted. I wondered what it would mean if I accepted this notion. ” But, I was beginning to see that if this had not happened there would have been something else. Among most white journalists I spoke to, the suspects’ guilt was not in doubt. Many black journalists, however, questioned the story coming out of the police.
Periodic communiqués from the radio led Richards to pull out of one parking spot and zip around a few corners and park again. Then he would do it again, and again. Finally, Richards found his quarry. It was not a person or persons; it was a picture. Richards screeched to a stop shortly after the car in front of us halted. The whole thing unfolded like a slow-motion scene in a movie. The unmarked police car up ahead had suddenly turned diagonally in the street and jumped the curb to block the passage of a young black male—maybe only in his late teens—walking down the sidewalk.
Blood Moon (The Huntress/FBI Thrillers, Book 2) by Alexandra Sokoloff