By Peter Tremayne
Sister Fidelma needs to examine the homicide of the excessive King himself and via doing so danger civil warfare, in Peter Tremayne's great new novel within the renowned sequence. whilst Sechnussach, excessive King of eire, is located lifeless in his bedchamber together with his throat lower, all clues appear to recommend an all-too-obvious leading suspect. Dubh Duin, the chieftain of the extended family Cinel Cairpre, was once stumbled on with the homicide weapon in his hand whilst the excessive King's guards entered the royal chamber, earlier than taking his personal lifestyles. the manager Brehon of eire asks Sister Fidelma to enquire and discover what attainable causes can have pushed Dubh Duin to assassinate the excessive King. Her investigations unearths an complicated net of conspiracy and deception that threatens to unbalance the 5 kingdoms and ship them spiralling right into a violent and bloody civil warfare and non secular conflict..
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Extra resources for Dancing With Demons (Sister Fidelma, Book 18)
M. m. yesterday. “She put up a terrific fight,” said Chief of Detectives Robert Colangelo. (p. 3) The story was just so awful. ” I wondered. Wolfpack! Prey! Savage! I had long ago stopped getting angry at these kinds of references to black people. I would just grow cold. How can someone stand on the inside of things and still be on the outside? From a racial point of view, some white people have found a way to make this A Jogger Is Raped in Central Park 37 happen, to make black people appear to live in two spaces at once.
7 It was finally beginning to sink in that maybe, just maybe, many whites could not allow themselves to see blacks as equal human beings. It occurred to me that this was an idea I had always resisted. I wondered what it would mean if I accepted this notion. ” But, I was beginning to see that if this had not happened there would have been something else. Among most white journalists I spoke to, the suspects’ guilt was not in doubt. Many black journalists, however, questioned the story coming out of the police.
Periodic communiqués from the radio led Richards to pull out of one parking spot and zip around a few corners and park again. Then he would do it again, and again. Finally, Richards found his quarry. It was not a person or persons; it was a picture. Richards screeched to a stop shortly after the car in front of us halted. The whole thing unfolded like a slow-motion scene in a movie. The unmarked police car up ahead had suddenly turned diagonally in the street and jumped the curb to block the passage of a young black male—maybe only in his late teens—walking down the sidewalk.
Dancing With Demons (Sister Fidelma, Book 18) by Peter Tremayne